Game of Clones

I had the privilege of working with Athena Aktipis to design a science communication tool as a way to explain to the public how cancer cheats. It’s called Game of Clones and while cancer is not fun nor funny I believe sharing information on why it is so hard to cure cancer inspires others to join this fight. Or as Athena explains it in her research on cancer shows us it is no longer about fighting cancer – it’s about learning to collaborate with cancer so we can use cancer clones as cooperative team players. If cancer cheats by changing the way business is done, by acting differently in every body it takes up residence in then we have to look at what can we learn from that? Here is a video on how the public game worked, followed by pictures at the public event.

Game of Clones Explanation from Biodesign Institute at ASU on Vimeo.

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Bio Cancer Tent

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If a ten year old had fun at this event and learned about how cancer cheats, they are better equipped. So that at a family event when Great Aunt Marge raises her fists and yells out “why can’t they cure cancer already?” The ten year old can explain it’s because cancer cheat. This is how we win our future . . . .

Place Making

Artplace

I recently presented and moderated a panel for Art Place Summit 2016 The conversation was focused around craft and culinary as place making models. I had the pleasure of working with Deacon Stone of Coalfield Development Corp and Reclaim Appalachia  who is doing absolutely amazing work in West Virginia Appalachia country and with Nancy Halpern Ibrahim of the Esperanza Community Development Corp and Mercado La Paloma, she is an amazing spirit doing brilliant work in South Central Los Angeles.

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Craft and food along with Culture and Community creates a ripe environment for celebration. With the attendees we create cross community celebrations and had great discussions!!

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Underwater Art Museums – Making a difference in conservation

Sculptor Jason deCaires Taylor places his work underneath the ocean’s surface in locations all over the world.  The exhibits are beautiful and provide a place for ocean life to thrive, but the advantages of his work expand beyond the tiny organisms growing on them.

Taylor’s sculpture park “Ocean Atlas” in the Bahamas drew attention to a nearby leak at an oil refinery.  The pressure from the international news media influenced the government to allocate 10 million dollars towards cleanup.  His park in Granada provided a reason for the government to create a designated area where marine life is protected.  Entrance fees to the park fund park rangers who manage fishing quotas and tourism.

The underwater sculpture parks are called museums to help people view the ocean as sacred.  When we hold something sacred, we cherish and protect it.  A museum is a place of preservation, conservation and education.  It becomes a designated point of interest where people can learn about the ocean and participate in its survival.

The work of Jason deCaires Taylor is the perfect combination of art and science that is playing a pivotal role in positive changes to the environment.

Posted by Amy DeCaussin.

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