IRIE Moon Convergence Invites A Ritual for Creative Futures

When Dr. Claire Nelson invited me to contribute a session to the IRIE MOON CONVERGENCE a 24-hour global Moonrise Watch Party following the Moon across six waves, from Oceania to Hawaii – I felt the invitation before I fully understood what I wanted to create.

I didn’t want to give a presentation about the future. I wanted people to experience themselves inside one.

The seed. My starting point was an area close to my heart: menopause as a creative threshold rather than a decline. What if the pause isn’t empty, but the clearing in which a different future can finally be heard? The Moon offered the language for it — it changes without disappearing, moves through shadow and light without apologizing for either. Change is not the opposite of wholeness.

I wanted the ritual to stay open beyond that one lens, though — to anyone who wanted to encounter the Moon through astronomy, memory, grief, ecology, or wonder. One Moon doesn’t make us identical. It shows us that difference and connection can coexist.

The arc. The session — Under One Moon: A Ritual for Creative Futures — moved participants through Arrive → Release → Imagine → Create → Commit → Connect: a meditation, an original poem, and a hand-drawn Moon Tile capturing what they’d release, what was emerging, the future they wanted to help create, and one small first step.

Futurecasting. I used my practice of Futurecasting to structure the journey — not prediction, but agency: the future isn’t a destination rushing at us, it’s something we participate in shaping. I asked participants to imagine one ordinary moment ten years out, July 30, 2036, and to notice what was different — not in abstractions like “greater belonging,” but in a scene: an elder teaching children beneath the night sky, a community restoring a wetland before a Moonrise celebration. The future becomes human when someone is there.

Then the key question: What began in 2026 that helped this future become possible? That’s backcasting — turning “what do I hope happens” into “what has to start now.”

The poem. I wrote “Moonpause,” returning to that first seed:

There comes a season when a woman no longer measures herself by what arrives, what leaves, what blood remembers.

The Moon Tile. Participants drew a circle and moved through four spaces: Moonshadow (what I release), Moonrise (what is emerging), Moonseed (the future I want to help create), and Moonplant — completing the sentence Before the Moon completes another cycle, I will… Small enough to begin, meaningful enough to matter.

Closing. Hand on their tile, each participant spoke the ritual back to themselves — honoring what had been, welcoming what was emerging, committing to the intention, beginning with one step. Three breaths: one for ourselves, one for someone elsewhere under the same Moon, one for the generations who inherit what we shape now.

The Moon doesn’t rush through its phases. We don’t have to rush through ours.

Your invitation. Wherever you’re reading this, look up — even if the Moon is hidden by clouds or daylight, it’s there. Ask: What am I ready to release? What’s emerging? What future do I want to help create? Then finish the sentence: Before the Moon completes another cycle, I will…

Don’t wait for the perfect answer. One honest beginning is how futures take root.

One Moon. Many imaginations. A future shaped together.

Cyndi Coon is a time traveler and rule-bender, nerding out for good using data, science and curious questions as an Applied Futurist, author, creative, ecosystem builder, facilitator, producer, researcher, storyteller and publisher for: governments, the military, higher education, private partnerships, enterprise, and industry. Cyndi is the Founder and Principal Futurist at Applied Futures Lab, Founder of Laboratory5, and Co-founder of Arizona State University’s Threatcasting Lab and is the co-founder at Threatcasting.ai. Cyndi is the author of Future AI Mindset, co-author of Threatcasting (2021), Futurecasting (2026) and the author of numerous reports, articles and book chapters. Founder and Publisher at Turkey Hill Press.

She is an Affiliate at the Center for Emergency Management & Homeland Security. Chief Media Officer for Content Evolution. She leads the i4j (global innovation for jobs workforce) and Coolabilities communities, promoting inclusive and forward-thinking solutions. She is a Web 3 advisor. Connect with Cyndi Linktree

Natural Playgrounds

Why have kids play and explore in nature? Because they already know what to do there – not instructions required. Kids are hard wired to know how to play outside, it is only we adults who interrupt their potential while they are explore. We do this out of our own fears but what if we allow these young explores to take over and investigate all on their own? Just think of what they might come up with. Beyond playing out in a natural environment what if you are interested in building a playground in the back yard for the kids? consider building one out of natural materials. You can keep it simple and put up a few tree stumps to offer space for imaginative play.

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You could create structures that are more complex and offer a fort like set ups so kids feel like they are in their own land and are able to invent new games with new rules. They can build characters and use their imaginations to create whole new worlds.

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Mix nature with richer character development and storytelling by creating an outdoor structure that is a puppet theater combined with a beverage stand or Lucy from Peanut’s Advise stall. Let kids decide how they want to incorporate nature into the story they tell and how they see the world.

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Next time you think “should I let the kids play an hour more on their tech or should I take them to a nearby playground?” consider how healthy it is for kids to have unsupervised, creative outdoor play. Leave them alone because they know what to do out there, just like you did when you where a kid.

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Build Outside – Miniatures

Every summer we go camping and spend days, weeks and even months outside playing in nature. And every summer my girls and their friends build outdoor habitats for the magical, mysterious creatures known as fairies.

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We encourage  magic and mystery with the kids while they are in their natural surroundings. Imaginative play through constructing outdoor fairy houses from natural materials such as bark, sticks, stones, flowers, grasses, acorns and pine cones; along with small pieces of trash they find around the camp site like bottle caps, broken sunglasses, pieces of plastic. We use this collection time to have conversations with our mini architects to talk about preserving nature and not littering. We talk about how harmful it is to birds and water life when people don’t properly dispose of their garbage.

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When  building a fairy house think about all of the possibilities: such as creating a pebble path, making a fence out of sticks, a walnut-shell bathtub,  leaf hammock, a bark bed or a stone table.

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You can do this in your own back yard, at a playground or even in a container filled with dirt on a balcony of an apartment. You need only to get outside, take a walk, carry a bag or a bucket and collect things. Bring back the found goodies to the place you will construct and begin the process to create a welcoming home for fairies.

Want more ideas? Check out these books – they are some of our favorites:

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Fairy House: How to Make Amazing Fairy Furniture, Miniatures, and More from Natural Materials

Screen Shot 2016-05-10 at 12.38.43 PMFairies: Real Encounters With Little People

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