Love Them / Hate Them

I hate that I love Anthropology so much. How many times have I heard “I want to live there” yea me too I want to live inside an Anthro too but I hate them for finding all the good stuff and for marking it up quadruple the price. I love all of the old feely vibe but I hate them for making me love them so much. Look at these seriously cool things. Anthro – I hate you. All the delicious wire stuff reminds me of a Ben Shahn drawing – I love his work.

Aviary Castle out of wire

A fabulously rusted ferris wheel

A rusty wire castle - I'd love to get that - oh but it's $1,500. Again - hate you!

A giant paper ostridge

Groovy wire frame

Ben Shahn. Supermarket. Serigraph, 1957.

Make at MADE

The workshop at MADE was a fun one yesterday – thanks to all who came out to play. We made many, many V-day cards and love letters. We looked at poems, quotes and craft materials for our inspiration. There will be more opportunities in 2010 to pop in for a workshop at MADE. Hop over to their site and join the mailing list so that you are informed or subscribe to my list and I’ll let you know. Get inspired here though and get to making your own love notes! Here’s some pics from the day.

YUDU screen printed roller skate on notebook paper, rubber stamped cupcake, buttons and card stock - by me

workshop in action

Card - by me, made with a cut doily, card stock and rubber stamps

A participant working away

Card - by me, made with card stock, ribbon, drawing pen, rubber stamps and glitter

Card - by me, made with card stock, doily, button and rubber stamp

Card - by me, made with card stock, rubber stamps, drawing pens, ribbon and embossed hearts were made with a cuttlebug embossing folder

Card - by me, made with card stock, foam stickers, rubber stamps and foam designs cut from the cuttlebug quilling kit

workshop participant

A workshop participants design

A workshop participants design

A workshop participants design

A workshop participants design

A workshop participant

A workshop participants design

A workshop participants design

A workshop participants design

A workshop participant

Card by me using card stock, rubber stamp, felt, buttons, poof ball and notion trim

A card design by me using card stock, felt, foam stickers, buttons, embossed stock using the cuttlebug heart embossing folder and heart wings embossed and cut from Sizzix Hello Kitty Series

A workshop participants design

Edie Harper – Rest In Peace

Edie Harper
1922 – 2010

Charlie Harper is smiling as his beloved wife joins him. The rest of us are saddened by the news of her death.

From the Harper’s Studio:

Edith Riley McKee was an only child born in 1922 in Kansas City, Kansas.   A dreamy child, she moved with her parents to Liberty, Missouri, when her father chose to open a short-order restaurant.   On trips to see relatives on their farms and small ranches in the Sand Hills of Nebraska, she developed a lifelong love for animals and the vast, lonely expanses of the Middle West.

The family moved again, to Cincinnati, in the 1930s when Edie’s father landed a position with Procter & Gamble.   They lived in an apartment on Springfield Pike while Edie attended Wyoming High School (graduating in 1939), all the while creating art at a level beyond  her actual years.   The desire for formal art training burned in her heart.   So in 1940 the respected Art Academy of Cincinnati welcomed Edie as one of its most eager new admissions.

On the first day of the program, on the steps of the administration building, Edie met an equally earnest young man from West Virginia, Charley Harper.   In classes and conversations, she learned that he shared her admiration of painters such as Miro and Klee.  They studied printmaking with the Stampers and were fortunate enough to spend a semester with legendary Josef Albers, visiting to teach his Color Theory course.  For several years afterwards Albers sent Edie his hand-screened Christmas cards.

When Charley was drafted for service in World War II, Edie interrupted her classes to aid the war effort in a civilian capacity.   She photographed hydro dams and cement test samples and processed the film in the lab for the Corps of Engineers.   Later, she would receive critical acclaim for the black and white photographs she took with her 8 x 10 camera employing her own imaginative subject matter.  This resulted in an exhibition at the Cincinnati Contemporary Art Center.

Soon after the war, Edie and Charley resumed their studies at the Academy.   Following graduation in 1947, they embarked on a six-month camping honeymoon throughout America.   Edie kept an illustrated journal.   Every day they sketched and painted, occasionally the same natural setting, and compared the results.

Upon their return from the honeymoon, Edie and Charley maintained separate studios in the basement of Edie’s parents’ home in Roselawn.   The young couple helped care for Edie’s father, who had multiple sclerosis, and were able to save Charley’s earnings from his day job at Schaten Studio.   In 1953 Edie gave birth to their son, Brett, named after California photographer Brett Weston.   Throughout the 1950s Edie continued painting, supplemented by a rich output of jewelry, contemporary photography, enameling, sculpture, and silkscreen prints.

In the 1960s Edie added weaving to the roster of media she had mastered.   During this decade she converted to acrylic paint and completed a series of grid-centric images.   Toward the end of the 1960s, Edie returned to explore an early, just-hinted-at interest in the design possibilities provided by stories from the Bible.

Thompson Hall Jordan Funeral Home will be handling details. Reverend Sharon K. Dittmar of First Unitarian Church will preside over the service. Wednesday January 27, 2010

Edie Harper print

Charlie and Edie Harper in the early days